Lil Peep's emo rap plays on the materialistic holy trinity (girls, weed, money), it complements la musica de Harry Fraud well, and sounds better than usual when the snare is accompanied by lively jazz loops and a roaring guitar in the third song. The material is brief and from a lyrical point of view, you can either pretend that it does not exist and let yourself be carried away by the sweet sound current that the excellent producer provides or appreciate the pleasant frequency with which the interpreter uses his favorite verb and topic in these ten minutes: either way, it's surprisingly both accessible and good enough to convince Harry Fraud fans and skeptics to take on listening without regrets of any kind. 7/10.
Hip-Hop Albums of the Year
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